Let It Be Vinyl – Extended to pre-release recordings, rehearsals and studio jams; The original 1969 Get Back LP mix by Glyn Johns
Featuring a new mix in stereo, 5.1 surround, and Dolby Atmos by producer Gilles Martin and engineer Sam Okell; Expanded from previously unreleased session recordings and demos.
Let It Be Vinyl
On January 2, 1969, John Lennon, Paul McCartney, George Harrison and Ringo Starr ushered in the New Year with a concert at London’s Twickenham Film Studios. The Beatles then went into rehearsal for a performance that was expected to bring them back to where they belonged: on stage. For 21 days, cameras and tape recorders recorded almost every moment: first at Twickenham and then at the Beatles at Apple Studios, where Billy Preston joined them on keys. Together they recreated new originals and old songs, bringing them all to life without any changes.
A Than The Beatles
On January 30, cameras and recorders were rolling as The Beatles and Preston performed their final concert before a small audience on the quiet rooftop of Apple Corps’ Savile Row headquarters. Family and friends, as well as others. Within the carrying range of their amps. The afternoon incident brought London’s West End to a standstill as sounds from the street echoed through the windows of neighboring houses for better access. Noise complaints drew police to the roof, and the show was shut down after 42 minutes.
Compiling the album, titled “Get Back”, was done in April and May by Glyn Jones, who took it more than that, with brighter visuals, and “I think” too, explaining to John, “I want it to sound like it wants to.” However, the Beatles decided to keep a large amount of tapes, film and photographs to record and release their debut LP, Abbey Road. Compiled from tapes made in January 1969, as well as some sessions that preceded and followed the recording, the Beatles’ final album, Let It Be, was finally released with a press release on May 8, 1970 (May 18 in the US). . Make a movie.
The period producing the Let It Be album and film represents the only time in The Beatles’ career that a full-length was recorded while producing music in the studio. Over 60 hours of unreleased film footage, over 150 hours of unreleased audio recordings, and hundreds of previously unreleased photographs have been newly scanned and meticulously restored for the three Beatles supporting this decade: a feast for the intellect that spans all assets. . The new Let It Be Special Edition accompanies “The Beatles: Get Back,” the highly anticipated documentary series by three-time Oscar-winning actor Peter Jackson, with a new cover beautifully titled The Beatles: Get Back. Sources interviewed for the new project revealed that the party was filled with more joy and kindness than was expressed in the 80 minutes of the 1970 film Let It Be.
Paul McCartney wrote in his foreword, “I always thought the first film Let It Be was too sad because it was about our band breaking up, but the new film shows the love and affection at the center of the four of us.” Let It Be Special for the book. “It also shows the wonderful times we had together, and coupled with the new album Let It Be, it’s a strong reminder of that time. How I want to remember The Beatles.”
Let It Be Is A Record By The English Rock Band The Beatles. This Music Album Is On A Vinyl Record Lp Disc. Psychedelic Pop Music. Album Cover Stock Photo
The Super Deluxe CD and Vinyl’ book features a foreword by Paul McCartney; Introduction by Giles Martin; Monument to Glyn Jones; insightful chapters and extensive track notes by Beatles historian, author and radio producer Kevin Howlett; And an essay by journalist and author John Harris examines the myth of session vs. their truth. The book, in paperback format, includes rare and previously published photographs of Ethan A. Russell and Linda McCartney, as well as handwritten lyrics, session notes, drawings, Beatles posters, tape boxes, film frames, and never-before-published images. more. .
When The Beatles arrived at Twickenham in January 1969, their self-titled album (aka ‘The White Album’) was still topping the charts worldwide after its release in November 1968. They had ambitious plans in mind for the project which would include A stage performance for “Scary TV” and an album. Michael Lindsay-Hogg was commissioned to direct the film and document the movement using unobstructed “fly-on-the-wall” footage and mono audio recordings on a Nagra reel-to-reel tape machine attached to two cameras. Ethan A. Russell was included for the film with limited access. Beatles producer George Martin and engineer Glyn Jones handled the sound. “Paul told me he was thinking of making a music video, and since I had a good track record of making music albums, I wanted to produce it,” recalls Jones. Impressed by the band’s daily progress and new musical advances, Martin later recalled, “It was a great idea, which I thought was worth working on. Something’s live album. “New. Most people who make a live album are rehearsing. Old stuff. There, Jones took control of equipment borrowed from the Beatles’ old studio, Abbey Road Studios, to record on eight tapes. Billy Preston was invited to play keyboards with the band at Apple, using his immense talent to enhance the session.
In April 1969, The Beatles released their worldwide number one single “Get Back”/”Don’t Let Me Down”. Promoted as “The Beatles As Intended” and “As Life Could Be, In This Electronic Age”, two sides of the disc were titled “The Beatles and Billy Preston”. “The biggest surprise for me was when the record came out,” Preston recalled in 2002. They didn’t tell me they were going to put my name on it! Those boys were very kind to me. ” Released on March 6, 1970, the George Martin-produced single “Let It Be” differs from the “Remastered” version of Phil Spector’s album. Exhibiting Spector’s signature style of sound production on the Let It Be album was his orchestral overdub on “The Long and Winding Road”, which became the Beatles’ top 20 US hit.
Directed by Peter Jackson (“The Lord of the Rings” trilogy, “They Never Grow Old”), “The Beatles: Get Back” takes viewers back through the band’s time together. Important Moments in Music History. Due to the wealth of great footage Jackson has explored, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be released as three separate parts. Each episode is approximately two hours long, will appear over three days, November 25, 26 and 27, 2021, only on Disney+.
Let It Be [vinyl Lp]: Amazon.de: Musik Cds & Vinyl
The series showcases the love, romance and creative genius that defined the legacy of the four shows, compiled from over 60 hours of unseen footage and over 150 hours of unheard audio from January 1969 (by Michael Lindsay-Hogg). which has been restored successfully. In 50 years, Jackson is the only person to have been granted access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live concert in more than two years, recording and remixing 14 new songs, with the aim of releasing them. the things Following the live album. The documentary features – for the first time in its entirety – the Beatles’ final performance as a group, an unforgettable house concert at London’s Savile Row, as well as songs and classic hits featured on So, Abbey Road and the last two albums. let it happen Music in the series is also composed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).
Ahead of the series’ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back Book worldwide on October 12. Available in English and nine international publications, The Beatles: Get Back is the first official standalone document. The Beatles released it after the international bestseller The Beatles Anthology. Meticulously planned and produced, the 240-page hardcover complements the “Get Back” series and Let’s Special Editions with transcripts of dozens of Beatles conversations recorded from three weeks of rehearsals and sessions and hundreds of specials. , never before. – Published photos, including photos by Ethan A. Russell and Linda McCartney. The Beatles: Get Back begins with a foreword by Peter Jackson and an introduction by Hanif Qureshi. John Harris is editing the manuscript. The cover is VG++, with light lamination wear to the edges of the cover. For some reason, this name often has lamination problems. The cover retains the original cover, though
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